Here/Now: Houssem Boulifa builds an archive of belonging in Algeria
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Beach please! Matthieu Blazy makes a splash at his Chanel Cruise debut
Taking us away to Biarritz, the Belgian designer journeyed into the deep for his first foray into resortwear
Kelly Wearstler doesn’t see fashion and design as separate worlds
This year, the usual boundaries between fashion and design feel increasingly redundant. Inside Palazzo Acerbi, a 17th-century Baroque palace opened…
Hussain Rehar’s SS26 Nargis blooms in excess
Pakistani fashion’s investment in The Bride as a symbol rather than agent is a long-standing norm. Despite bridal wear being…
Inside Inanna Reborn’s first runway, with Byredo
Inanna Reborn, a fashion project by Her Highness Sheikha Bodour bint Sultan Al Qasimi, made its first runway appearance in…
Opinion: We should gatekeep Arab beauty secrets from creators who feed into overconsumption
TikTok beauty creators are infamously good at persuading their followers to purchase a lot of products, so much so, that…
Inside Iman Eldeeb’s mission to build Arab representation on the runway
In the muted light of a casting room, where first impressions speak louder than words, Iman Eldeeb watches a young…
Opinion: Who has the right to our stories? The rise of parachute journalism in Lebanon
What doe the presence of foreign journalists in Lebanon mean for local dignity, safety, and the purpose of the work…
Here/Now: Algeria — A generation between inheritance and self-definition
When COVID hit in early 2020, Algeria was witnessing weekly protests all over the country. The Hirak, the largest popular…
Ways of sitting
As a designer, I spend a lot of time thinking about how people sit and, as a Palestinian, just as…
12 years of Sandbox: Nacelle’s recipe for a world-class festival on home turf
Long before Sandbox Festival became a regional benchmark, Tito El Khachab was hosting events simply to have somewhere to play.…
The hidden Yemeni immigrant genre at the heart of Earl Sweatshirt’s most memed song
Earl produced “EAST” under his “randomblackdude” alias. It had no drums, just a wheezing string loop that kept folding back…
A tribute to Cheb Terro: Sousse’s very own
Rayen Hermassi, known to many as Cheb Terro, constructed a universe with nothing but raw instinct, borrowed technology, and an…
Ruwan Teodros on finding belonging, and herself
Ruwan Teodros came to photography the way many people come to prayer, through crisis. During COVID, when Beirut emptied, and…
The mischief, menace, unruly nature of Affsoongar’s women
There is a very specific charm in Affsoongar’s work that becomes more sentimental the longer you sit with it. Small…
Rays, Ripples, and Residue: Celebrating 421 and the power of contemporary art in Abu Dhabi
For its final weekend, the group exhibition Rays, Ripples, and Residue marks the 10th anniversary of the 421 Art Campus…
Marvel’s Daredevil: Born Again Supper Club Experience transforms Dubai into Hell’s Kitchen
Stepping into Chef Halawa’s iconic Casa Falafel on Wednesday night felt less like arriving at a dinner and more like…
Shazad Latif on carving space, Wuthering Heights and “putting pressure back on the big boys”
The world increasingly requires us to live in profound contradiction. Whether it’s political polarisation or identity politics, all forms of…
Such stuff as dreams: Soad Hosni’s image, 25 years on
Rania Stephan opens her essayistic film The Three Disappearances of Soad Hosni (2011) with an excerpt from Act IV Scene…
Such stuff as dreams: Soad Hosni’s image, 25 years on
Rania Stephan opens her essayistic film The Three Disappearances of Soad Hosni (2011) with an excerpt from Act IV Scene…
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Why is 2016 haunting 2026? On Postnostalgia, time loops and lost futures
One Sunday, my mother casually mentioned how much she hated Sundays as a teenager. It was the first time I…
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Here/Now: Houssem Boulifa builds an archive of belonging in Algeria
Houssem Boulifa grew up in France. He was born in 1997 in Nanterre, on the outskirts of Paris, to parents whose origins lie in El…
John Lobb wants to make the dress shoe feel dangerous again
For years, luxury menswear has been caught in a loop of “quiet luxury” minimalism so sterile it bordered on anaesthetic. Loafers became corporate shorthand. Brogues…
Does Money Have a Future?
Worldbuilding, speculative futures, and fiction have long offered us the space to rehearse alternative realities and visions of how our social selves might reorganise communities…
What makes Arab cinema, Arab cinema?
I have an experiment I’d like you to try the next time you encounter a self-proclaimed cinephile in the wild. The kind of cinephile with…
Intro to nomadology
I’ll do this quickly because your attention span, like my own, is limited. Our brains are worn ‘smooth’ by the unrelenting feed of images –…
Here/Now: Celia Bougdal’s photography of memory, self and Algeria
Photography came to Celia Bougdal through a detour. After abandoning plans to study music and being unable to attend Algiers’ École Supérieure des Beaux-Arts, she…
I’timad: A mythic Andalusian story, reimagined by Billel Ouazene and Elvira Tiaou
I’TIMAD revisits the true story of I’timad al-Rumaikiyya, a woman who was born enslaved in 11th century Al-Andalus and spent…
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